For Art’s Sake: Surrealism in Woodblock Printmaking by Li Hua (1934-35)

  While woodblock print artists in China during the 1930s were strongly connected to the political Left based on the subject matter of m...

Popularising the Natural World: Landscape Woodcuts in the Pages of Taibai (1934-35)

Writing on Taibai as a publication in either Chinese or English has tended to focus on either its stated goals of popularising language i...

Lianhuanhua by Any Other Name: Serial Images of Drama, Humour and Politics in Republican-era Shanghai